Thursday, January 28, 2010
band name
Tuesday, January 26, 2010
Let's fish!


Sunday, January 24, 2010
maybe I'll give myself merit badges for these....
Tuesday, January 19, 2010
Champ has skills, but they all suck.
Monday, January 18, 2010
Award show recap
Sunday, January 17, 2010
Funeral homes aren't fun.
Saturday, January 16, 2010
I can't pronounce Synecdoche, nor can I stomach it.
I haven't written a blog entry since MJ died. I wasn't compelled to say much, I suppose. That changed last weekend:
I woke up filled with disappointment last Friday. There was a good chance of a “snow day,” which I was really stoked about. Sadly, I was awoken by the sound of my alarm, as opposed to a “no school” phone call. Thanks, salt truck guys. My bad mood became increasingly more intense when I read my email. My friend Ryan sent me a link to Roger Ebert’s favorite films of the decade. Ebert picked a film I didn’t like at all to top the list: Synecdoche, New York.
I immediately began writing this blog in my head. I’ve disagreed with his reviews on several films recently. I suppose we all have. Even so, some reviews seemed completely off to me. Two that immediately came to mind were 2012 (3 1/2 stars) and The Hangover (3 1/2 stars). I started to research more odd reviews for my blog when I saw his most recent journal entry, Nil by Mouth. In it, he discussed how his succession of surgeries have left him unable to speak, eat or drink. When a reader asked if he missed eating or drinking, he claimed that he didn’t really miss it anymore. He went on to talk about how certain places and foods evoked memories from his past. It was a really touching entry. The moment that changed the intent of my blog entry was in response to a possible fourth surgery. Ebert claimed “A fourth surgery has been proposed, but I flatly reject the idea. To paraphrase a line from "Adaptation's" orchid collector: "Done with surgery.” That was when the fog cleared. Like all my friends, Roger has different opinions on films. He likes some movies that I don’t like at all. But other films, like Adaptation, resonate with us both. That said, I have written a more respectful retort to Ebert’s favorite film of the decade:
The combination of Phillip Seymour Hoffman, Charlie Kaufman, and Catherine Keener should have knocked it out of the park. I felt completely foolish when I discovered this dream team had made Synecdoche, New York together, and it was already on video. This film seemed completely in my wheelhouse. When my first viewing was over, I couldn’t really believe it. I found Phil to be annoying. I wanted to punch him in the face within the first twenty minutes. To be honest, I didn’t really like any of the characters. And as much as I love Dianne Weist, my response to her role quickly became an audible “ARE YOU KIDDING ME?!” I was completely exhausted by how long it took the story to unfold. I didn’t feel satisfied by the end (see Diane Weist reaction above). Unlike Kaufman’s other stories, this one wasn’t fun to watch or touching in any way.
Ebert claimed “those who felt the film was disorganized or incoherent might benefit from seeing it again.” I tried Roger, I swear. I watched it three times in two days!!! I didn’t WANT to not like it. I was almost forcing myself to find something likable about the film. I even forced my friend Ryan to watch it on viewing # 3 to see if he saw something in the film I didn’t. No dice. In Ebert’s journal entry titled “O Synecdoche, my Synecdoche!” he offered a suggestion to answer the question “why is the house on fire?” I’d rather he answered my simple question: “why can’t I see what you do?” As much research as I did, Ebert can’t seem to answer that.
Synecdoche doesn’t have any moments that make it a “best” film. There’s no choir of senior citizens singing to a prison after they just lost a friend like the scene in Young at Heart. There’s no final conversation between a father and son like in Big Fish. Phil’s character has nothing on the tight rope walker from the film Man on Wire. This film lacked a key scene or moment that makes films stick with me. But it stuck with Ebert.
I have friends who like the Hangover. I have friends who don’t like Adaptation. I have friends who, for whatever reason, only watched Ghostbusters when I forced them to. It is clear that the world is made up of zillions of people with varied taste. I appreciate this, as it gets me my Simon Pegg films from Netflix even faster. I don’t think Ebert should dislike Synecdoche, New York. I just think there are countless films that should’ve surpassed it for the top spot.
Verdict: agree to disagree












